The Design
The E01-007 Kijimuna design presents the spirit as a small, humanlike forest being with an immediately recognizable feature: an enormous mass of vivid red-orange hair.
The figure is shown full-body, barefoot, with a slim build and pointed ears. Its clothing is made from layered, leaf-like and fibrous materials in muted browns and olive tones, giving the impression of something dressed from the landscape rather than from ordinary human society. The long hair dominates the silhouette and gives the character a wild, untamed presence without making it monstrous.
Beneath the illustration, キジムナー, KIJIMUNA, and Archive No. E01-007 maintain the same clean archival structure as the rest of the collection.
The restrained composition works especially well on darker shirt colors, where the red hair and warm earth tones become the main focal point.
The Entity Behind the Design
Kijimuna belongs to the folklore of Okinawa and is especially associated with large gajumaru, or banyan trees.
Recorded traditions often describe Kijimuna as small, red-haired beings who can interact directly with humans. Unlike many supernatural entities whose stories centre on attack or fear, Kijimuna may form friendships, help with work, or accompany people fishing.
That relationship is not unconditional.
Stories frequently revolve around reciprocity, boundaries, and the consequences of offending the spirit. A Kijimuna may reward a person it trusts, but the same relationship can collapse if the human breaks an expectation or violates a taboo.
This makes Kijimuna less a generic forest guardian and more a supernatural neighbour: close enough to interact with, but never fully part of the human world.
Known For
Kijimuna is especially known for its red hair, its connection with banyan trees, and its unusual relationships with fishermen.
In recorded Okinawan traditions, a person befriended by a Kijimuna may be taken fishing and return with an unusually good catch. Some stories add a distinctive detail: the fish are missing an eye because the spirit has already taken the part it prefers.
Other accounts describe Kijimuna helping with work, appearing at night, producing strange sounds, or behaving in ways that blur the line between helpful companion and troublesome spirit.
The name Bunagaya appears in related traditions, particularly in northern Okinawa, but it should not simply be treated as a perfect synonym in every context.
Kijimuna is also strongly tied to place. Its identity is not just “small red-haired spirit.” The gajumaru tree, village landscape, coast, and human relationship all matter to the tradition.
From Folklore to Design
This design takes the small red-haired humanoid tradition as its starting point and turns it into a complete Hyakki specimen.
The red-orange hair is the strongest folkloric anchor. Rather than making it neat or stylized, the design lets it spread outward in tangled strands, making the figure feel wild and closely connected to the natural environment.
The pointed ears, leaf-like clothing, and subtle markings on the skin are more interpretive. They help separate the figure visually from an ordinary human child, but they should not be read as fixed historical anatomy.
Importantly, the design does not turn Kijimuna into a cute mascot. The expression is subdued and observant, and the figure stands with a reserved, almost wary posture.
That fits the underlying folklore well.
This is a being that may become a friend.
That does not mean it belongs to you.
From the Hyakki Archive
Archive File E01-007 expands Expedition I — Sacred Forests beyond the main islands of Japan and into the distinctive supernatural traditions of Okinawa.
The Kijimuna does not simply inhabit a tree.
It enters into relationships.
It may help.
It may share.
It may return.
But those relationships come with expectations that are not always spoken aloud.
The question is not whether the spirit can become your friend.
It is what you owe it once it has.
収蔵



























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